![]() DJI has a LUT for it's Mav3 line but I don't care for it and have found some third party LUTs (there are hundreds) that I prefer.ĭisclaimer: Some days I'm a colorist. Many cameras that shoot some form of Dlog have a particular LUT that works with that camera. I shoot a lot of DJI Dlog video and apply a LUT regularly to that. The colors should look fairly normal right off the bat and you can apply whatever color grading you might wish. ![]() The latest versions of FCP correct for the HLG kind of video that iPhones are shooting so you probably don't even need a LUT. I can't suggest any LUT's for iPhone cameras. If you add a LUT from within the Effect tab (Custom Color) then it will show up in the Inspector panel and you can do further color grading (wheels, hue and saturation, etc) and those color grading panels should be above the LUT panel so they will affect the color grading before the LUT is used. They are indeed meant to correct for a camera although you can apply LUTs from the Inspector regardless. If you have a LUT that is calibrated to your particular camera it may instantly bring it to near perfection and those LUTs are often used (in FCP) from within the Inspector panel and when they are applied any subsequent color grading is done "on top of" that LUT. The LUT will expand the brights and darks to give you a starting point. A LUT is often needed when shooting DLog or Dlog M as they are highly compressed in terms of dynamic range. It can be used without white in the image more or less but with white it can at least make that white a 'real' white. Can you suggest some free LUTs to correct the iPhone camera colors?īalance color depends on some white within the image to do a good job and then it essentially balances to that color. Question three: I shoot for talking-head style over a green-screen youtube videos with an iPhone SE. Maybe I misunderstood and they are for color grading instead? Question two: I understood that such camera-model named LUTs are for color correction. Question one: regardless of the camera, isn't it enough to use the "Balance color" function to correct the camera color? Why use camera-model named LUTs when we have the "Balance color" function? Now, in FCP there is the the "Balance color" function that seems to automatically color correct, and I think it "automatizes" the operation that I described in the previous paragraph - which make sense, being always the same process.Then, in L23 of the ripple training, it is mentioned that LUTs are used for correcting the color due to the curve that camera manifacturers "hard-code" inside different cameras models. ![]() The process of color correction through the exploitation of such tools is rather mechanical. by adjusting the exposure first and then the color with the help of tools like waveform, RGB parade, vectorscope, etc. So far, and in theory independently of FCP, I looked different videos that explains how to color correct your clips with some sort of "scientific" method, i.e. I am following the core ripple training and in L23 LUTs are mentioned whereas in previous lessons the "Balance color" function has been explained.
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